Many such softwares keep being popular despite their lack of genuine analog emulation.If people are happy with 'average' emulations, and do good music with it, I don't see a problem. Reviews and positive comments from people who are satisfied with the software do the rest. Many people don't do own patches, they simply load factory presets, so they rarely see what is behind the sound engine. It is often just enough to have a good looking interface, an average sound engine that may be copied from a paper about algorithms, some advertisement (videos are most important), and of course 100+ presets for techno/dancefloor with lots of delay and reverb.I am not saying the iVCS3 is cheap. It's also a question of age/experience.But this is just a general observation. People who have higher demands will prefer the very few softwares that are close to analog circuits, because they know how these sound like.It leads to a 'passive' mode, where the only thing you can do is using factory presets. Could you write a 'don't touch that knob' list for me and those like me who would like to learn but have no time/courage/brains?"In my opinion this is an approach that leads to no understanding of any synth. If they match the sound with the quality of the GUI, they'll have done a good job, and the iVCS3 will become one of my favourite iOS synths."Hey, all of you who've been playing with those ivcs3's knobs and sticks for a while now.
![]() Ems Vcs3 Emulator Book Pro Software Do TheFind a patch that one likes and tweak the knobs that give desired/cool/pleasing results. While you may be right when learning is concerned I don't think there's anything wrong with liking the sound of a synth and go as deep as one needs I.e. With growing experience, you'll be able to create great patches, and unheard sounds, that nobody else has found.Sorry i just read your comment again. It's just a start to understand the technology. It doesn't have to be a good sound. ![]() Nothing wrong in experimenting, I just wanted to say that there is no short cut if you want to learn subtractive synthesis. I couldn't have done that (creating several specific sounds) without learning each and every function.That's all. Ten years later I recorded an entire song with that synth. I twisted knobs and levers for hours, without knowing any function, and it was very interesting. I did that with my first borrowed synth when I was 16. Turn on sound for gmail macMany people don't have the time to study all this, and download preset packs. That's the most important thing I guess. Do what you want, what makes fun. Then you also know why a certain knob has no effect anymore in a certain patch.Ah, crap, forget what I said.
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